34x25x36 Screening at The Museum of Modern Art!

We're thrilled to announce a screening of 34x25x36 at MoMA on February 26th, at 1:30pm. The film is showing as part of the 40 anniversary of New Day Films!

Join us if you can!

Best,
Jesse

Huffington Post's Top 10 Craziest Moments in Body Image in 2010

Retrospective by Leslie Goldman, Author of Locker Room Diaries

"You want more? I'll give you more! Without further adieu, I present you with the Top 10 Craziest Moments in Body Image, Version 2010"

"Fiona’s Blog: Should Parents Photoshop Kids’ School Pictures?"

Check out this interesting blog post about school photos and photoshop....
Rachel Simmons

MovieReshape: Tracking and Reshaping of Humans in Videos

FILMS IN ACTION #1: Watch. Write. Read.

Educators and activists using films in creative ways.

Workshop with Power Writers:
Youth at the Nuyorican Poets Cafe watch films on body image and respond with poetry.

More info at:
To Be Heard

FILMS IN ACTION #2: Media Literacy in the Barbershop

Educators and Activists using films in creative ways.

CONNECT NYC leads violence prevention workshops with men and boys, and Daralee Vazquez is an educator in Brooklyn -- they teamed up to host a screening of WET DREAMS AND FALSE IMAGES in a barbershop.
(Co-hosted by the barbers featured in the film itself).

Check out this NY Times article...

For the A-Cup Crowd, Minimal Assets Are a Plus

Screening Wed. the 18th of August

Paradigm shift is hosting a screening/ videotaping on Wed. night in NYC. Excited about all the partner organizations...

WEDNESDAY, AUGUST 18th at 6:30 pm
The Tank- 354 West 45th Street (between 8th & 9th Ave.)
Subway: A,C,E to 42nd Street/Times Square

Cost: $12 students/ pre-paid, $15 at door
BUY TICKETS NOW- LIMITED SEATING:
http://www.brownpapertickets.com/event/117245

Legendary Women, Inc
Manhattan Young Democrats
New York Women in Film and Television
NOW NYS Young Feminist Task Force
RippleEffectArtists.org
Sideshow: The Queer Literary Carnival
Soapbox Inc.
The Women’s Mosaic
The Woodhull Institute for Ethical Leadership
Trixie Films
Women’s Caucus for Art
Women’s Media Center
Women’s Sexuality Empowerment Apprenticeship

Totonto Film Scene Review

Review: The Guarantee/34x25x36 – BITE ME! 2010, by Dasha Kotova

Two short films by Jesse Epstein concluded the first day of the first BITE ME! film fest. One was about the pressure to undergo cosmetic surgery, while the other looked at the mannequin manufacturing industry.In The Guarantee, a gifted young male ballet academy student is badgered by his teacher to get a nose job; supposedly, his large nose would get in the way of his career. Though he likes his nose just fine, he eventually gives in to the pressure, even though he’s told it would not guarantee him a contract with a ballet company. The story is told through drawings, which are quickly sketched as the main character narrates the events. This film reminds the viewers that body image issues affect males as well as females, and that seemingly trivial matters can be blown out of proportion by unfair societal standards. It is a frustrating look at the shallowness that seems to penetrate even the most skill-based types of the entertainment industry.

The second film takes a look at an industry ruled entirely by shallow standards. Have you ever felt a little spooked by store window mannequins and the joyless stares on their contorted bodies? 34x25x36 peeks into the process of manufacturing these uncanny objects. The title the film is the standard measurement used to create female mannequins, which is why you always see them come in the one body type. The mannequin designers in the film say creepy things like “There are no perfect women. We make the perfect women”. One of them even likens his work to European religious statues, both in terms of portraying people you don’t know the way you imagine them, and in terms of worshipping the fashionable products that mannequin display the way people might worship the saints. Now, when you pass by a clothing store, you’ll know the strange things that go on in the minds of the people that make the alien-esque figures you see there.

NY Times Article: My Mannequin, Myself: What Talking Heads Say

By CATHY HORYN

Published: May 5, 2010

"Twenty or 30 years ago, it was relatively easy to walk down Fifth Avenue and see differences in mannequins, differences not only in color and ethnic characteristics but also attitude and even emotion, which were conveyed by the novelty of the displays and, of course, the fashion. Nowadays, though, with few exceptions, the great avenue provides a window into limited resources and eroded convictions. By using the generic-looking mannequins, stores seem to want to erase the issue of race and ethnic identity — as much as blogs now serve to highlight these distinctions.

“A lot of stores just avoid that issue by spraying everything gloss white and not putting any features on the mannequin,” said Michael Steward, the executive vice president of Rootstein, a top specialist in realistic mannequins based in New York and London. “They don’t want to make a mistake.”

Similarly, he said, a designer client will spend $50,000 a day for a model for an advertising shoot but will fret over the choice of mannequin until finally saying, “Oh, just make it headless.”

As for the hot topic of body shape, mannequin makers do care — up to a point. Since the purpose of a mannequin is to display goods, its measurements can’t be too far out of line with standard dress sizes. A bit bustier and fuller in the hips, fine. But a shape that actually reflects many women’s bodies is a tough sell. Ralph Pucci, a maker of abstracts, produced a plumpish mannequin a while back, but sold hardly any. “It was just a big wow in the press, and the stores went back to tried and true, size 2 and 4,” Mr. Pucci said"

Read more: here